![]() Also there are some pretty groundbreaking things shown on this show that could be talked about in the teen community and I felt like it was important. The story has plenty of cogs into it and there are some very interesting things, the stuff to do with the superpowers gains more traction later on in the season and it is really interesting as more and more things get revealed. Kathleen Rose Perkins as Sydneys Mum & Richard Ellis as Dina's boyfriend Brad and they both do good jobs in their roles even though they are quite basic characters thye do well in their jobs on the show. Sophia Bryant plays Dina and also the friendship she has with Sydney is a huge part of the show, the friendship is a bit of a change up for shows like this and it works as you do buy that they are really true friends. Wyatt Oleff plays Stanley on this show and I really liked his character, the chemistry between him and lillis is really good on the show, their friendship is a really nice part of the show and you are really rooting for them to succeed as friends. But also there is plenty of damage and darkness to her performance that makes her a really well rounded character that really carries this show. She has a fascinating arc on the show and as the show goes on you see her character get more and more confident and it is really nice to see her this way. Sophia Lillis plays Sydney on this show and she is fantastic on the show, she is a very interesting character and you grow to really care about her character. ![]() The premise of the season sees a teenage girl have to deal with not fitting in to her high school environment, while also finding out she has Telekentic Super Powers. ![]() I heard about this series and the premise sounded really interesting to me so I decided to give I Am Not Okay With This's First season a watch and this is my review of the show. So the cliffhanger of the last episode remains unresolved and the potential of the series doesn't get a chance to unfold. It is well known that Netflix earns money mainly from new series productions and not by keeping good, established series alive, because the streaming service doesn't get anyone to sign a contract with new seasons. Unfortunately, the series has been discontinued by Netflix and the reasons given seem like excuses. Still, it was more promising than disappointing. However, it also has acting weaknesses, shortcomings in its adherence to the important themes and a slight overrepresentation of clichés. The series is fun, has beautiful settings, interesting characters and a fitting atmosphere. Oleff and Bryant don't perform at a consistently high level here either, but seem to be able to interpret their roles better in their quieter ways, giving the viewer a more sympathetic, approachable picture of the characters. The supporting characters do a better job. Sophia Lillie's portrayal of the main character bears the same ambivalent relationship, which she hits well time and again, only to drift too much into facial spectacles she's familiar with, which are apparently meant to appear bubbly and freaky in a very stereotypical way. The story is exciting, exceptionally well conceived, and at the same time full of landmarks in genre classics, such as Stephen King's "Carrie." Every now and then, subplots get a bit lost in "Twitter discourse", which, as we all know, is rather the opposite of discourse a condition that unfortunately weakens the overall picture a bit. This series from the Forsman universe is similarly atmospheric in structure to "The End of the F***ing World," but the plot is more one that moves into the fantastical alongside everyday teen problems and evolves into a strange but interestingly unconventional origin story of a superhero, or supervillain. ![]()
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